{"id":1193,"date":"2024-06-05T11:57:46","date_gmt":"2024-06-05T09:57:46","guid":{"rendered":"http:\/\/wordpress.p667212.webspaceconfig.de\/axel-obiger-gallery-blanc-zone-the-poetry-of-limits\/"},"modified":"2024-06-18T14:32:03","modified_gmt":"2024-06-18T12:32:03","slug":"axel-obiger-gallery-blanc-zone-the-poetry-of-limits","status":"publish","type":"post","link":"https:\/\/tatjanafell.net\/en\/axel-obiger-gallery-blanc-zone-the-poetry-of-limits\/","title":{"rendered":"Axel Obiger Gallery \/\/ BLANC ZONE – The Poetry of Limits"},"content":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

installation | performance | edition<\/h3>\n

 <\/p>\n

OPENING:<\/strong>
\nApril
\nEXHIBITION:<\/strong>
\nApril
\nFINISSAGE:<\/strong>
\nApril 20, 7 – 9 p.m.
\nLOCATION:<\/strong>
\nGallery Axel Obiger | Brunnenstra\u00dfe 29 | 10119 Berlin[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”674″ img_size=”full” qode_css_animation=””][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_column_text]Tatjana Fell & Fernando Nino-Sanches<\/p>\n

They do not begin with Bachelard, Lefebvre, Heidegger or H\u00f6lderlin, nor with Hannah Arendt or Plato, they begin with themselves and with themselves, with the exploration of the obvious, always present and inescapable self-containedness, the inside and outside of their own existence, the person, the artist person.<\/p>\n

They do not work from the context to the text, from the periphery to the center, from cultural, political, social fields to interfaces with their designers – to terra humanum – as is usually the case with their artistic works.<\/p>\n

It is drawn from ‘nothingness’, color is derived from white, temporality from transparency, order from the finiteness of language and the tone of movement and resistance from action, the noise gives the sound of hope or abandonment and throws back what one can feel and sense oneself.<\/p>\n

www.axelobiger.com\/exhibitions\/past<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][vc_gallery type=”image_grid” images=”673,672,671,670,669,668,667,666,665,664,663,662,661,660″ img_size=”300″ column_number=”3″ grayscale=”no” images_space=”gallery_with_space”][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

They do not begin with Bachelard, Lefebvre, Heidegger or H\u00f6lderlin, nor with Hannah Arendt or Plato, they begin with themselves and with themselves, with the exploration of the obvious, always present and inescapable self-containedness, the inside and outside of their own existence, the person, the artist person.<\/p>\n","protected":false},"author":1,"featured_media":674,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-1193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"_links":{"self":[{"href":"https:\/\/tatjanafell.net\/en\/wp-json\/wp\/v2\/posts\/1193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tatjanafell.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tatjanafell.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tatjanafell.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tatjanafell.net\/en\/wp-json\/wp\/v2\/comments?post=1193"}],"version-history":[{"count":2,"href":"https:\/\/tatjanafell.net\/en\/wp-json\/wp\/v2\/posts\/1193\/revisions"}],"predecessor-version":[{"id":1217,"href":"https:\/\/tatjanafell.net\/en\/wp-json\/wp\/v2\/posts\/1193\/revisions\/1217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tatjanafell.net\/en\/wp-json\/wp\/v2\/media\/674"}],"wp:attachment":[{"href":"https:\/\/tatjanafell.net\/en\/wp-json\/wp\/v2\/media?parent=1193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tatjanafell.net\/en\/wp-json\/wp\/v2\/categories?post=1193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tatjanafell.net\/en\/wp-json\/wp\/v2\/tags?post=1193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}